Bako Dagnon (also written as Backo or Baco Dagnon) released a first CD in 2007, but she is part of
a generation of prominent Malian
griots that becomes known in the first decades after Mali's independence.
Born in 1948 or 1953, she started singing as a child, accompanying her mother at ceremonies such as baptisms and marriages.
Being a
griot, she learned the genealogy and the history of Mali, in order to sing about Mali's great past, which goes back
to the Mali empire of the thirteenth century. After having participated at local shows in Kita, she was selected for the
Biennale of Bamako in 1972 to represent her region.
At the Biennale, she was very successful with he song
« Yiri Kolo ». In 1974, she was recruted
to join the
Ensemble Instrumental National du Mali, where she stayed for 10 years.
Along with great female singers such as
Mokontafe Sacko,
Sarafing Kouyaté,
Wandé Kouyaté
and
Nantenedié Kamissoko, she helped developing and promoting traditional Malian music with the
Ensemble Instrumental.
Moreover, the dean of Mali music, the late
Bazoumana Sissoko, invited her several times to sing at his house.
Although virtually unknown outside Mali until the release of
« Titati », she has produced
five cassettes in Mali over the years. But her importance for Malian music goes beyond that, her encyclopaedic knowledge of
Malian languages, traditions and history was well-known, and
Ali Farka Touré is said
to have asked her several times for the exact meaning of particular songs. She was a guest singer on
Mamani Keita &
Marc Minelli's
« Electro Bamako » album (on the song
Donso Ke).
When
Ibrahima Sylla of
Syllart Productions asked her to join in the recording of the second volume of the
« Mandekalou » project, the road was open to recording an album of her own.
« Titati » was mainly recorded in the Bogolan Studio in Bamako and partly
in Paris, and arranged by François Bréant
Salif Keita's
« Soro »,
Bambino's
« Sinikan »).
The album offers a very interesting mix of ancient songs and modern arrangments, Bako's sublime voice and the variety of
the repertoire makes this album an instant classic.
Born: 1948/1953 (according to different sources), in N'Golobladji, near Kita
Died: 7 July 2015, diabetic
Style: mande, malinke, mandingo griot music, praise singing