Coumba Sidibé is one of the pioneering forces of that new generation
of female singers from the Wassoulou region in the South of Mali, that emerged at the end of the 1980s, along with
Oumou Sangaré,
Kagbe Sidibé,
Sali Sidibé and others. Different from the until then
dominant malinké praise singers, these young artists addressed contemporary issues in their lyrics,
such as social problems. Although the singers are mainly
Peul, they are singing in the wassoulou dialect
of the bambara language.
The pentatonic wassoulou music itself is very distinct from malinke music and is reminiscent of the rhythms of
Malian hunter music played with the
Dozon N'Goni (hunter's lute), but using instead the smaller
Kamelen
N'Goni (6-string youth lute). Other instruments used are the traditional one-string violon, the
soukou,
the
M'Bolon, djembé and also the electric guitar. The rhythms are repetitive and hypnotising,
but there is room for improvisation on the string instruments.
Coumba sung from the age of seven, and started her professional career in the
Ensemble Instrumental National du Mali
in the 1970s. Her voice is rougher and jazzier than that of Oumou Sangaré, or Sali Sidibé. Although well-known
in Mali, she never quite made it to international fame. Her recordings aren't that well distributed internationally,
but a few songs can be found on the two
Wassoulou Sound samplers released by
Stern's Music.
Sadly, Coumba has passed away in New York, where she lived since the late 1990s, on the 10th of May, 2009.