Bassekou Kouyaté is seen as the world's best n'goni player.
Born in the second half of the 1960s, he grew up in a traditional family of musicians, his mother
Yagaré Damba was a praise singer, his father
Moustapha Kouyaté
and his brothers were n'goni players. When he was 12 years old, he was already
mastering the n'goni lute, and in 1979, when his father was ill, Bassekou accompanied his mother on n'goni during her tour
in Côte d'Ivoire and Burkina Faso. From 1983, he worked with
Nainy Diabaté's husband
and guitar player
Cheick Oumar Diabaté.
Together, they accompanied, besides Nainy, also other singers such as
Tata Bambo Kouyaté.
In 1987, he met
Toumani Diabaté with whom he recorded on two albums and toured
extensively in West Africa, and performed on the Dranouter Folk Festival in Belgium.
After a Banjo Festival in Tennessee, Bassekou got acquainted with
Taj Mahal with whom he recorded
together. His name was rising and increasingly he is invited to play with numerous artists, in Mali, for instance with
Keletigui Diabaté,
Ali Farka Touré,
Cheick Tidiane Seck, but also on an
international level: Bassekou has played and/or recorded with
Carlos Santana,
Jackson Brown,
Bonnie Raitt...
In 2003, he created his own group,
Samagéra, together with his wife
Amy Sacko, balafon player
Lassana Diabaté,
Adama Diarra (djembé) and
Fousseyni Kouyaté (bass n'goni).
He performed in Holland and Belgium in 2005. With his current band, renamed into
Ngoni ba,
he recorded a long awaited first album,
« Segu Blue », out in March 2007.
The album features guest musicians
Zoumana Tereta,
Lobi Traoré and
Kassemady Diabaté and is already a classic.
The follow up, the 2009
« I Speak Fula », was nominated for a Grammy Award and in
2013 he released a new album, recorded in March 2012, just when the military putsch took place in Mali, an event which was
the beginning of a period of crisis in the country. The political situation gives the album a sense of urgency that was
certainly not planned that way. On the album he is accompanied by his two sons
Madou and
Moustafa Kouyaté, and with featurings by
Khaira Arby,
Zoumana Tereta and
Taj Mahal.
" ... Never really breaking into a sweat, in fact
barely shifting his gentle grin for a moment, he will
break out these terrifyingly complex solos somehow conjuring notes from God knows where. The ngoni he plays only has three
strings, how he does what he does remains a total mystery."
Damian Rafferty Editor and Publisher of Fly | Global Music Culture
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