Bavon Marie Marie was the younger brother of the great
Franco.
In his short life, he became, at least in Kinshasa, a well-known guitar player and band leader in the second half of the 1960s.
Often compared with Franco, his way of guitar playing sounded very much like his older brother, but he played in a different style,
slightly more funky and uptempo. He was popular and an idol among a younger public compared to his brother. His flamboyant
way of life, and his excessive skin bleaching was part of his life style.
Bavon Marie Marie had played in a few bands, among them
Cubana Jazz (together with singer
Bumba Massa),
and
Orchestre Jamel, before he joined
Le Négro Succès where he became the
lead guitarist.
Négro Succès had been formed in 1960 by
Vicky Longomba, himself
former member of Franco's
OK Jazz. Other members were
Leon "Bholen" Bombolo
and singer
Hubert "Djeskin" Dihunga, both from OK Jazz, further there were sax player
André Menga, rhythm guitarist
Jean Dinos, singer
Gaspard "Gaspy" Luwowo,
bassist
Alphonse 'Le Brun" Epayo, and drummer
Samy Kiadaka.
After
Vicky Longomba made up with Franco and he went back to OK Jazz, Léon Bholen became the
leader of Negro Succès and together with Bavon Marie Marie they were idols of the late 1960s.
Over the years, besides
Bavon Marie Marie, saxophonist
Empompo, vocalist
Zozo Amba and second saxophonist
Moro Maurice had joined the band, probably all in or around 1964.
At the end of the 60s,
Tshimanga Assosa, who would later go to Tanzania to join
Maquis Original, and a young
Nyboma were also part of
Négro Succès for
a short period, until the untimely death of Bavon Marie Marie.