Lokua Kanza is a very talented singer-songwriter with a distinct
style of music, mainly coloured by his high-pitched voice. Born from a Mongo father and a Tutsi mother from Rwanda,
the family moved to Congo's capital Kinshasa in 1964. When his father died, his mother
moved to a poorer neighbourhood of Kinshasa, and Pascal Lokua (as the oldest of eight children) had to earn some money,
and he started to sing church. He also got acquainted to current Congolese music (
Franco and
Kabasele).
When he met
Ray Lema who becomes some sort of a mentor for the young Pascal Kanza, he started studying
classical guitar at the Kinshasa Conservatory.
Quite soon, he became a very young director of the
Ballet national de Kinshasa when he was 19 (!) years old and in 1980,
he became member of
Abeti's band. In 1981, he went to Côte d'Ivoire to play in the
Best Orchestra of Hotel Ivoire
in Abidjan.
In 1984, he went to Paris, where he worked with big names in African music, such as
Papa Wemba,
Manu Dibango, and
Angelique Kidjo.
With
Ray Lema, he worked again on 2 of Lema's albums,
« Nangadeef » (1989) and
« Bwana Zoulou Gang » (1987). He also worked with jazz musicians and with several French artists,
such as
Alain Bashung.
In the 1990s, he started a career as a solo singer, accompanying himself on guitar and percussion. He often performed with the
Senegalese
Julia Sarr (vocals) and
Didi Ekukuan (percussion and vocals). His music is powerful and magical,
with influences from folkloric music of his native Congo, as well as from Brazilian and South African music. Lokua Kanza was granted
the South African Kora Award for 'Most Promising Male Artist in Africa' in 1996.