Tabu Ley Rochereau also known as "Le Seigneur" is one of the nestors of African music in
general and of Congolese music in particular. He started his career in Joseph "Grand Kalle" Kabasele's
African Jazz in 1959. Four years later, an important defection took place, and Tabu Ley left to create
l'African Fiesta
together with guitar hero
Docteur Nico and
Dechaud. Tabu and Nico didn't work together for long,
and Tabu continued with
African Fiesta National (Dr. Nico went along with his African Fiesta Sukisa faction).
By the mid-1960s, the Congolese music scene was at its most prolific, and numerous spin-off bands from either the modern
'international' African jazz clan or the rootsier OK Jazz clan appeared (cf. Ewens 1994).
Tabu Ley constantly innovated through introducing elements from salsa, soul and disco, but also makossa and zouk to the
Congolese rumba and he sung sometimes in French or English, unlike his rival and contemporary
Franco Luambo Makiadi.
He also toured extensively on the African continent outside Congo and after renaming his band in
Afrisa International in 1970,
he travelled to Paris to perform in the prestigious Olympia venue. This international success reflected on his popularity
back home where he was feted as a national hero (cf. Graham, 1989).
In the 1970s, Tabu Ley continued to tour, he recruted the brilliant
Sam Mangwana and
increased the size of the Afrisa band. He added
les Rocherettes, a group of female dancers and singers.
One of them,
M'bilia Bel would become a solo singer within Afrisa later on. Another highlight of that decade
was the FESTAC 1977 performance, resulting in a double album. In the 1980s, Tabu Ley established his own production
company and label Genidia, and several albums were released, some in duet with
Mbilia Bel, with whom he was
married until 1988. In that year, Tabu Ley introduced a young female singer,
Faya Tess.
Kiesse Diambu
joined the band at the beginning of the decade, but left in 1983 for
OK Jazz joining his brother
Ntesa Dalienst.