Samba Touré was born and grew up in a small village called Dabi, near
the town of Niafunke, in the Tombouctou Region of Northern Mali. He was brought up solely by his mother, as his father
passed away shortly before Samba's birth. From an early age, he was surrounded by music. His mother even sang with
Ali Farka Touré at the Biennale Festival.
Grown up, Samba left his native region for Mali's capital Bamako, in order to find work. Here, he heard modern
styles of African music, such as the Congolese dance music. It inspired him to start singing and playing guitar, and Samba
joined the band
Farafina Lolo. He became also familiar with the music of
Ali Farka Touré, who was at the origin of what would later be called "desert
blues". Samba started playing in Ali Farka's style. By the mid-1990s, Farafina Lolo split up and Samba
continued with
Super Lolo, but he would leave soon in order to focus on composing.
In 1997, Ali Farka Touré asked him to join him for a tour across Europe and the USA. This opportunity opened
new perspectives and turned out to be very inspirational for Samba. In addition, the old master encouraged Samba to
develop his own style. After the tour, Samba formed his own ensemble, called
Fondo.
In 2004, his first album, carrying the same title,
« Fondo », was
a huge success in Mali. Three years later, he released a second album,
« Aïto ».
In 2008, Samba signed with World Music Network, and the next year, there was his first international album release,
« Songhaï Blues: Homage to Ali Farka Touré », with songs from
the first two albums. In 2010, he joined
Toumani Diabaté on his Ali Farka
Touré Variations Tour. In between, he recorded a new album,
« Crocodile
Blues », on which Samba develops his own signature. On this album, he sings in various Malian languages about
the cultural diversity, stressing unity and peace for this country. He received a Tamani d'Or Award for the album, which
was also in the Top 3 of the European World Music Charts. When recording his 2012 album
« Albala », this national unity was severely put in danger, and
somehow this reflects in the mood of the songs. There is an added gravity in his voice and lyrics, expressing
his worries about the situation in the Northern part of Mali.