Bko Quintet (or simply
BKO in latest years), is a young group founded in early 2012. French drummer and percussionist
Aymeric Krol went to Bamako, Mali's capital, to study Malian percussion, and he teamed up with
djembefola master
Ibrahima Sarr. The two assembled a group with other instrumentalists and singers,
and by doing this, they united for the very first time two cultural backgrounds, that of Malinké
griots, and that of the hunters,
the
donson. Singer
Fassara Sacko stands for the griot traditions, and
Nfali Diakité is an exponent of the Bambara hunters music, with his impressive sound, accompanied by his hunter lute. His talent
is undeniable, as his grandfather is the great
Yoro Sidibé. But all five have had an interesting career path before participating in
Bko Quintet. For instance
Abdoulaye Koné, a descendant of the great
Djeli Baba Sissoko, has played with
Salif Keita and
Tiken Jah Fakoly on their foreign tours.
In a country which was in a state of shock (and in a state of emergency) because of the intrusion of northern Islamic rebellion on its
way to Mali's capital Bamako, the group stayed united in their project and after first performances and recording efforts in Mali, they obtained
the permission to go to France in order to record their first album. The Bko Quintet is now part of a renaissance of semi-traditional Malian music,
along with others such as
Bamba Wassoulou Groove and
Songhoy Blues, but also with the likes of
Samba Touré or
Bassekou Kouyaté.
Their EP, followed by their album
« Bamako Today » were both well received by the critics and by the Mali music aficionados.
A first European tour with around 25 festival appearances in 2014, for instance at the Africafestival Hertme, was met with much acclaim.